So that got me writing the song “Let It Be.” I literally started off ‘Mother Mary’, which was her name, ‘When I find myself in times of trouble’, which I certainly found myself in.
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In the dream she said, ‘It’ll be all right.’ I’m not sure if she used the words ‘Let it be’ but that was the gist of her advice, it was, ‘Don’t worry too much, it will turn out OK.’ It was such a sweet dream I woke up thinking, Oh, it was really great to visit with her again. It was so wonderful for me and she was very reassuring. And it was so great to see her because that’s a wonderful ting about dreams: you actually are reunited with that person for a second there they are and you appear to both be physically together again. General CommentMcCartney: One night during this tense time I had a dream I saw my mum, who’d been dead 10 years or so. I wake up to the sound of music, Mother Mary comes to me
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In a self-interview that doubled as album promotion and carefully worded statement of personal independence, McCartney said that his only immediate plans were to grow up.When I find myself in times of trouble, Mother Mary comes to meĪnd in my hour of darkness she is standing right in front of meĪnd when the broken hearted people living in the world agreeįor though they may be parted, there is still a chance that they will seeĪnd when the night is cloudy there is still a light that shines on me McCartney effectively quit the following April, and put out his first solo record, McCartney, about a week later. (“And now we’d like to do ‘Hark, the Angels Come!’” Lennon squeaks in falsetto before “Let It Be”-a jab at what he felt was Paul’s sodden pseudo-religiosity.) Still, listen and you can still hear the heart, humor, and camaraderie that made them so unusual to begin with: McCartney’s “Two of Us,” the throwback “One After 909,” the eternal “Get Back.” Still, it’s a bittersweet, sometimes uncomfortable listen, and only further muddled by the eternal debate of whether or not it was actually the band’s last album, having been more or less finished before Abbey Road was started but not released until the band had broken up about a year later. (“Let It Be” was a relatively big production even before Spector came on board.) While some were chopped up and reassembled to get a better shape, the rest of the album (“Get Back,” George Harrison’s breezy “For You Blue,” the surrealistic blues of Lennon’s “Dig a Pony,” recorded live on the rooftop of the band’s Apple Corps offices) hewed more or less to what McCartney had envisioned: The Beatles rediscovering the poise and spontaneity of a great live band.
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Conceived by McCartney as an effort to reclaim the band’s marital groove, Let It Be presented The Beatles not as an elaborate studio art project but as four guys making music together in a room.įor as divisive as Phil Spector’s 11th-hour contributions were (George Martin joked that he should be given a credit for production, while Spector should get one for overproduction), they were also overstated: Only a handful of tracks here-most notably Lennon’s “Across the Universe” and McCartney’s “The Long and Winding Road”-were all that heavily orchestrated.
LET IT BE THE BEATLES GOOGLE PLAY LYRICS FULL
The dissolution of The Beatles was a famously unpleasant situation: By 1968, Lennon and McCartney were sometimes working simultaneously in separate studios only about half of the White Album’s songs featured the full band.